Hreinn Friðfinnsson

Hreinn Friðfinnsson, Bláhorn, 2010, Cornered Rooms, 3.09. - 17.10.2010 at Waterside Contemporary, London

Hreinn Friðfinnsson, Illustration, 2014 (two C-prints and one device) | Details picturing Third House, 2011 | Photo: Ásmundur H. Sturluson
homecomings: PROJECTIVE SPACE (co-curated with Cassandra Edlefsen Lasch) 2.05. - 27.06.2015, Kurfürstenstr. 13, 10785 Berlin

Hreinn Friðfinnsson, Illustration, 2014 (two C-prints and one device) | Details picturing device and Third House, 2011 | Photo: Ásmundur H. Sturluson
homecomings: PROJECTIVE SPACE (co-curated with Cassandra Edlefsen Lasch) 2.05. - 27.06.2015, Kurfürstenstr. 13, 10785 Berlin

Returning to House Project: An Interview with Hreinn Friðfinnsson (2014-2018) from the publication "homecomings 1,2,3, etc." (2019) edited by Cassandra Edlefsen Lasch and Annabelle von Girsewald

Hreinn Friðfinnsson, Fourth house of the house project since 1974, 2017, Stainless steel, polished, 255 × 325 × 195 cm
Skulptur Projekte Münster, 2017, Photo: Henning Rogge

Midnight Jump. Hreinn Friðfinnsson at Rozenstraat - a rose is a rose is a rose

February 15 – April 4 2020
Rozenstraat 59, 1016 NN Amsterdam

Lecture on 18 February 2020
What role does the house play in Hreinn’s House Project? How can his suggestive four -part house project be interpreted? Can the house signify the self? If yes, how can identity manifest itself therein? I’m interested in analyzing his project under the prospects of - ideal, real and homing desire- within theoretical poststructuralist discourse which were dealt with in my home trilogy.